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This image is in representation of one of the sixty-three bodily forms which Siva assumed, under the designation of Maha-Sadasiva. This monstrous and diabolical image is generally made of wood and stone, bearing no less than twenty-five heads and fity hands according to the number described in the Skanda Puranam, but in the carved images made and worshipped by the Hindus, it bears twenty-five heads and thirty-two hands—(as represented in plateNo. 30) thirty of which arc shown as holding various kinds of destructive weapons—viz. the hand No. 1, is shewn holding a Dhanussu (A bow),* No. 2, an Anbu or Banum (Arrow), No. 3, a Cudghum or Chundranytodunt (Sword) No. 4, a Gadum, (Mace) No. 5, a Chakram (discus), No. 6, a Sunkoo (Conch), No. 7, a Vultidy, No. 8, an Unkoosum (Goad), No. 9, a Pausum (A rope), No. 10, a Soolum, No. 11,a Vailanyoodum, No. 12, an Belly, No. 13, an Pry-Betty, No. 14, allium, No. 15, a Coonthum, No. 16, a Thoamaram, No. 17, a Pitulypatt-lum, No. 18, a Baunkoo, No. 19, a Cut/a:cry, No. 20, a Bumpum, No. 21, a Dundanyoodutn, No. 22, a Guthay-oodum or Guthy, No. 23, a Vujrayoodum, No. 24, a Parusoo or Cunda-Coadauly, No. 25, a Nairstsm, No. 26, a Nuosoondy, No. 27, a Gound, No. 28, a Cuppunum, No. 29, a Nattykum, No. 30, a Malloo. The thirty-first hand is in the attitude of bestowing a benediction and the lust, as promising protection. We have described the above instruments as near as possible in English by the corresponding numbers in the Note below. It is stated in the Scunda Pooranum, that the five principal heads described in Plate No. 30 as rising one upon another immediately from the neck of the idol, are emblems of the five attributes of Siva, namely the pow-ers of-Creating, Preserving, Destroying, Judging, and Rewarding, these are the five powers of this deity ac-cording to the Agama of the Siva sect. Each of these is again subdivided into five separate offices making in all twenty-five, to represent which Siva assumed in the interval between creation and destruction, the bodily shape of Maha-Sadasiva having twenty-five faces and fifty hands. The work of creation during its continuance includes the exercise of the several powers of creating, destroying, judging and rewarding—and that Maha-Sadasiva exerts his Omnipotence in all creations animate and inanimate. The liindoo sacred writs also affirm in strong language, that many Vishnus, Brahmas, forty-eight thousand Rishis or Saints, seven Muroo-thoocal ; Indra, and numerous Devatahs, and heavenly musicians and others, so crowded together to worship the emblem of Maha-Sadasiva on the holy mountains of Maha-Kailasa, that their crowns clashed with each other. The adoration, and anointing of this image are the same as those performed for the idols preceding this No.

This image is in representation of one of the sixty-three bodily forms which Siva assumed, under the designation of Maha-Sadasiva. This monstrous and diabolical image is generally made of wood and stone, bearing no less than twenty-five heads and fifty hands according to the number described in the Skanda Puranam, but in the carved images made and worshipped by the Hindus, it bears twenty-five heads and thirty-two hands—(as represented in plateNo. 30) thirty of which arc shown as holding various kinds of destructive weapons—viz. the hand No. 1, is shewn holding a Dhanussu (A bow),* No. 2, an Anbu or Banum (Arrow), No. 3, a Cudghum or Chundranytodunt (Sword) No. 4, a Gadum, (Mace) No. 5, a Chakram (discus), No. 6, a Sunkoo (Conch), No. 7, a Vultidy, No. 8, an Unkoosum (Goad), No. 9, a Pausum (A rope), No. 10, a Shoolam (trident), No. 11,a Velayudhum (spear), No. 12, an Belly, No. 13, an Pry-Betty, No. 14, allium, No. 15, a Coonthum, No. 16, a Thoamaram, No. 17, a Pitulypatt-lum, No. 18, a Baunkoo, No. 19, a Cut/a:cry, No. 20, a Bumpum, No. 21, a Dundanyoodutn, No. 22, a Guthay-oodum or Guthy, No. 23, a Vujrayoodum, No. 24, a Parashu (axe) or Cunda-Coadauly, No. 25, a Nairstsm, No. 26, a Nuosoondy, No. 27, a Gound, No. 28, a Cuppunum, No. 29, a Nattykum, No. 30, a Malloo. The thirty-first hand is in the attitude of bestowing a benediction and the lust, as promising protection. We have described the above instruments as near as possible in English by the corresponding numbers in the Note below. It is stated in the Scunda Pooranum, that the five principal heads described in Plate No. 30 as rising one upon another immediately from the neck of the idol, are emblems of the five attributes of Siva, namely the pow-ers of-Creating, Preserving, Destroying, Judging, and Rewarding, these are the five powers of this deity ac-cording to the Agama of the Siva sect. Each of these is again subdivided into five separate offices making in all twenty-five, to represent which Siva assumed in the interval between creation and destruction, the bodily shape of Maha-Sadasiva having twenty-five faces and fifty hands. The work of creation during its continuance includes the exercise of the several powers of creating, destroying, judging and rewarding—and that Maha-Sadasiva exerts his Omnipotence in all creations animate and inanimate. The liindoo sacred writs also affirm in strong language, that many Vishnus, Brahmas, forty-eight thousand Rishis or Saints, seven Muroo-thoocal ; Indra, and numerous Devatahs, and heavenly musicians and others, so crowded together to worship the emblem of Maha-Sadasiva on the holy mountains of Maha-Kailasa, that their crowns clashed with each other. The adoration, and anointing of this image are the same as those performed for the idols preceding this No.

He is known to have twenty five heads with seventy-seven eyes and fifty arms. (Even though the number is supposed to be infinite) This blog is a nice read on that topic http://temple.dinamalar.com/en/news_detail.php?id=626. He has been mentioned in the Aghamas. From the pages 57 and 58 of the book The Complete Hindoo Pantheon, Comprising the Principal Deities Worshipped by the Natives of British India Throughout Hindoostan:

This image is in representation of one of the sixty-three bodily forms which Siva assumed, under the de-signation of Maha-Sadasiva. This monstrous and diabolical image is generally made of wood and stone, bearing no less than twenty-five heads and fitly hands—according to the number described in the Scunda Pooranum, but in the carved images made and worshipped by the Hindoos it bears twenty-five heads and thirty-two hands—(as represent-ed in plateNo. 30) thirty of which arc shewn as holding various kinds of destructive weapons—viz. the hand No. 1, is shewn holding a Dunaosoo,* No. 2, an Uniboo or Baunum, No. 3, a Cudghum or Chundranytodunt No. 4, a Gadum, No. 5, a Chuekrunt, No. 6, a Sunkoo, No. 7, a Vu&tidy, No. 8, an Unkoosum, No. 9, a Pausum, No. 10, a Soolum, No. 11,a Vailanyoodum, No. 12, an Belly, No. 13, an Pry-Betty, No. 14, allium, No. 15, a Coonthum, No. 16, a Thoamaram, No. 17, a Pitulypatt-lum, No. 18, a Baunkoo, No. 19, a Cut/a:cry, No. 20, a Bumpum, No. 21, a Dundanyoodutn, No. 22, a Guthay-oodum or Guthy, No. 23, a Vujrayoodum, No. 24, a Parusoo or Cunda-Coadauly, No. 25, a Nairstsm, No. 26, a Nuosoondy, No. 27, a Gound, No. 28, a Cuppunum, No. 29, a Nattykum, No. 30, a Malloo. The thirty-first hand is in the attitude of bestowing a benediction and the lust, as promising protection. We have described the above instruments as near as possible in English by the corresponding numbers in the Note below. It is stated in the Scunda Pooranum, that the five principal heads described in Plate No. 30 as rising one upon another immediately from the neck of the idol, are emblems of the five attributes of Siva, namely the pow-ers of-Creating, Preserving, Destroying, Judging, and Rewarding, these are the five powers of this deity ac-cording to the Agama of the Siva sect. Each of these is again subdivided into five separate offices making in all twenty-five, to represent which Siva assumed in the interval between creation and destruction, the bodily shape of Maha-Sadasiva having twenty-five faces and fifty hands. The work of creation during its continu-ance includes the exercise of the several powers of cre-ating, destroying, judging and rewarding—and that Maha-Sadasiva exerts his Omnipotence in all creations animate and inanimate. The liindoo sacred writs also affirm in strong language, that many Vishnoos, Bramas, forty-eight thousand Reeshees or Saints, seven Muroo-thoocal ; Indra, and numerous Devatahs, and heavenly musicians and others, so crowded together to worship the emblem of Maha-Sadasiva on the holy mountains of Maha-Kylasa, that their crowns clashed with each other. The adoration, and anointing of this image are the same as those performed for the idols preceding this No.

From Eesaana

• Somaskhandhar
• Natarajar
• Rishabha Roodar
• Kalyana Sundarar
• Chandrashekharar

From Thathpurusham

• Bikshaadanar
• Kaama dhahanar
• Kaala Samharar
• Salandara Vadhar
• Tripuraari

From Ahoaram

• Ghaja Samharar
• Veera Bhathrar
• Dakshinamurthy
• Thiru Neelakantar
• Kraadhar

From Vaamadhevam

• Kanghaalar
• Chakra Dhaanar
• Ghajaari
• Chandesa Anugraha Moorthy
• Eka Paadhar

From Sathyojaatham

• Lingothbhavar

• Sukhaasanar

• Hariyartha Moorthy

• Ardhanaari

• Uma Makeshar

He is known to have twenty five heads with seventy-seven eyes and fifty arms. (Even though the number is supposed to be infinite) This blog is a nice read on that topic http://temple.dinamalar.com/en/news_detail.php?id=626. He has been mentioned in the Agamas. From the pages 57 and 58 of the book The Complete Hindoo Pantheon, Comprising the Principal Deities Worshipped by the Natives of British India Throughout Hindoostan:

This image is in representation of one of the sixty-three bodily forms which Siva assumed, under the designation of Maha-Sadasiva. This monstrous and diabolical image is generally made of wood and stone, bearing no less than twenty-five heads and fity hands according to the number described in the Skanda Puranam, but in the carved images made and worshipped by the Hindus, it bears twenty-five heads and thirty-two hands—(as represented in plateNo. 30) thirty of which arc shown as holding various kinds of destructive weapons—viz. the hand No. 1, is shewn holding a Dhanussu (A bow),* No. 2, an Anbu or Banum (Arrow), No. 3, a Cudghum or Chundranytodunt (Sword) No. 4, a Gadum, (Mace) No. 5, a Chakram (discus), No. 6, a Sunkoo (Conch), No. 7, a Vultidy, No. 8, an Unkoosum (Goad), No. 9, a Pausum (A rope), No. 10, a Soolum, No. 11,a Vailanyoodum, No. 12, an Belly, No. 13, an Pry-Betty, No. 14, allium, No. 15, a Coonthum, No. 16, a Thoamaram, No. 17, a Pitulypatt-lum, No. 18, a Baunkoo, No. 19, a Cut/a:cry, No. 20, a Bumpum, No. 21, a Dundanyoodutn, No. 22, a Guthay-oodum or Guthy, No. 23, a Vujrayoodum, No. 24, a Parusoo or Cunda-Coadauly, No. 25, a Nairstsm, No. 26, a Nuosoondy, No. 27, a Gound, No. 28, a Cuppunum, No. 29, a Nattykum, No. 30, a Malloo. The thirty-first hand is in the attitude of bestowing a benediction and the lust, as promising protection. We have described the above instruments as near as possible in English by the corresponding numbers in the Note below. It is stated in the Scunda Pooranum, that the five principal heads described in Plate No. 30 as rising one upon another immediately from the neck of the idol, are emblems of the five attributes of Siva, namely the pow-ers of-Creating, Preserving, Destroying, Judging, and Rewarding, these are the five powers of this deity ac-cording to the Agama of the Siva sect. Each of these is again subdivided into five separate offices making in all twenty-five, to represent which Siva assumed in the interval between creation and destruction, the bodily shape of Maha-Sadasiva having twenty-five faces and fifty hands. The work of creation during its continuance includes the exercise of the several powers of creating, destroying, judging and rewarding—and that Maha-Sadasiva exerts his Omnipotence in all creations animate and inanimate. The liindoo sacred writs also affirm in strong language, that many Vishnus, Brahmas, forty-eight thousand Rishis or Saints, seven Muroo-thoocal ; Indra, and numerous Devatahs, and heavenly musicians and others, so crowded together to worship the emblem of Maha-Sadasiva on the holy mountains of Maha-Kailasa, that their crowns clashed with each other. The adoration, and anointing of this image are the same as those performed for the idols preceding this No.

From Eesaana

 

• Somaskhandhar
• Natarajar
• Rishabha Roodar
• Kalyana Sundarar
• Chandrashekharar

From Thathpurusham

• Bikshaadanar
• Kaama dhahanar
• Kaala Samharar
• Salandara Vadhar
• Tripuraari

From Aghoram

 

• Ghaja Samharar
• Veera Bhathrar
• Dakshinamurthy
• Thiru Neelakantar
• Kraadhar

 

From Vaamadhevam

 

• Kanghaalar
• Chakra Dhaanar
• Ghajaari
• Chandesa Anugraha Moorthy
• Eka Paadhar

From Sathyojaatham

• Lingothbhavar

• Sukhaasanar

• Hariyartha Moorthy

• Ardhanaari

• Uma Makeshar

Maha sadashiva is an extended form of Sadashiva. From Sanskrit, Maha means greater. Hence Maha sadhashiva is a greater form of Sadashiva. The significance is similar to Sadashiva, from Wikipedia:

Maha sadashiva is an extended form of Sadashiva. 

From Wikipedia:

From Sanskrit, Maha means greater. Hence Maha sadhashiva is a greater form of Sadashiva. The significance is similar to Sadashiva. See this other post from Tezz What are the symbols and weapons in the hand of Sadashiva?.